Experimental Short Musical “ War-chariots”

Experimental Music Short Play, A song of war-chariots is a creative art performance work inclusive of art elements such as opera-oriented voice and western band music, string music, percussion music of Chinese traditional opera, structure of western opera, and essence of Chinses Kunqu opera. It is an art form predicated upon music expression. Regarding ideological contents, it makes deep dissection of Chinese and western culture in now days and over the history. It is initiated to adapt to the modern culture on the basis of inheriting the legacy of the past. In the progress of art, the new work gives us more food for thought. The script is based on the recomposition of poetry of Tu Fu. It writes a story from the perspective of a pregnant woman who sends her husband to the army draft with a purpose of revealing the pain and sadness that conscription brings about to the people. Meanwhile the story also tells the positive. Regardless of the hard life and cruelty of reality, people living in that age still see the light at the end of the tunnel. In detail, when the woman sees his husband off, she is thinking about whether his husband is able to return or not. The woman has dialogue with bystanders played by the instrument performers and they air their opinions. Eventually, the woman gives up the hope for his husbands return, but she starts to be worried about the fate of her baby. If the baby is a girl, she can grow up and marry a good neighbor boy. If the baby is a boy, he grows up only to find himself be drafted and then killed and buried in the battlefield. A baby boy or a baby girl, bystanders start to argue and there is no definite answer at the end. At the very last, the question is open to all the audience.

Indoor Activities 2014

Canadian Group “The Command Sisters”

Siblings, wicked harmonies, mastered musicians & songwriters that garnered them their 1st publishing deal out of Nashville at 12 & 15 are the COMMAND SISTERS. Charlottes unique lead vocals & writing style along with Sarahs harmonies & ability to solo and riff like one of the boys defines their sound--country with soul, or, edgy/indie country pop. Its that sound that is breaking genres. Whatever it is, its exciting, innovative & completely their own. This talent, this sound~wrapped up in sincere wit, charm & energy, coupled with an engaging stage show, has industry insiders & fans alike, sit up and pay attention...close attention. The COMMAND SISTERS have been seen on the Edmonton & Canmore Folk Fest Stages, a nationally televised CBC benefit concert (Johnny Reid, George Canyon), at private parties for Sundance Film Fest, Slamdance Celebrity Party & MTV Movie Awards, Hoot Fest, Hard Rock Cafe & Blue Bird Cafe (3 one hour all-original shows). They were also heard on the Songwriter Stage at Big Valley Jamboree 2012/2013, opened for George Canyon, showcased at CCMAs 2012/2013 (New Artist & Songwriter), Official Folk Alliance 13 showcase, featured on CBC TV Special NEW FACES, awarded Rising Star Award & Artists to Watch Edm Music Awards, HEROES Safe & Caring Award, featured in Guitar World & Acoustic Nation, Yeggie Music Award and are the recent winners of the John Lennon Song Contest (showcase in LA). To keep with whats important & dear to their hearts, the girls continue to sing at Stollery Childrens Hospital & support The Stollery Foundation & Kids Help Phone. Most recently, the Sisters were asked to partner with the RCMP to film an anti bullying video using their song Something To Live For (which will be shown in schools across Canada).

Outdoor Activities 2014

Chamber Music - Dolphin Song

Dolphin Song is a lamentation on the recent extinction of Yangtze River "baiji" White Dolphins. One of the rivers greatest losses, the dolphins extinction is considered the first time human activity directly caused an entire species to disappear. In four movements, this piece of music tells the tragedy of the dolphins. The first movement is a depiction of Mother Nature at work, where the dolphins live, breed, feed, and die according to natural cycles of life. The second movement tells the legend of the Yangtze princess; the creation myth of the dolphins told by generations of Yangtze River fishermen. This story is central to the concept of respecting Mother Nature, and as folklore, is an intangible cultural heritage that holds sway in teaching us how to live as a small piece of the puzzle that includes all of Mother Natures creations. The third movement depicts our materialistic desires and the resultant conflict between the dolphins and us, while the finale is a spiritual farewell from all the dolphins when their spirits evaporate with the river water on a warm sunny day. The work is a prayer for action; a call for us to protect what little of the wildlife is left in our time. Sam WuSam Wus music deals with the beauty in blurred boundaries. Many of his works center around extra-musical themes: architecture and urban planning, climate science and the search for exoplanets that host life.Selected for the American Composers Orchestras EarShot readings, winner of an ASCAP Morton Gould Young Composer Award, Sam was also awarded First Prize at the Washington International Competition. Sams collaborations span five continents, most notably with the Philadelphia, Minnesota, and Sarasota Orchestras, the Melbourne and Tasmanian Symphonies, New York City Ballet, Sydney International Piano Competition, the Lontano, Parker, Argus, ETHEL and icarus Quartets, conductors Osmo Vänskä, Case Scaglione, and Benjamin Northey, and sheng virtuoso Wu Wei.After growing up in Shanghai, Sam (b. 1995) received degrees from Harvard University and The Juilliard School, and is a DMA candidate in Composition at Rice Universitys Shepherd School of Music. His teachers include Tan Dun, Anthony Brandt, Pierre Jalbert, and Chaya Czernowin.Zeyu Victor LiZeyu Victor Li is honored as a musical prodigy. Entering Curtis Institute of Music when he was 14 years old (2010), he was the youngest violin student there from Asia. Aaron Rosand, the world renowned violinist and educator speaks highly of his youngest student. Early in China, Victor excelled with his consummate violin skills and innate musical talent. He won the Gold Award of Junior Division, and the only award for Chinese work performance in the Ninth National Youth Violin Competition in Qingdao, 2009; he won the New Creations Performance Award (Composer Prize) in the Yehudi Menuhin International Violin Competition in 2012; and he was awarded First Place of Senior Division in the concerto competition in Summit Music Festival in New York, 2012. In 2009, Victor was invited to participate in the 5th anniversary of the restoration of Weekly Radio Concert held at Shanghai Concert Hall, as well as the 50th anniversary of the naming of the hall. In 2010, he was invited to perform solo the Sibelius D minor Violin Concerto in Shanghai Spring International Music Festival. In April 2009, while communicating with internationally eminent violin virtuoso Pinchas Zukerman in Shanghai Oriental Art Center, Victor Li was praised as "a genius with a bright future". Since Victor entered Curtis, he has performed in Carnegie Hall in New York, and several times in Kimmel Center in Philadelphia. He participated in the American Summer Music Festival at MANN CENTER on May 11th, 2012.

Music 2013

Peking Opera and Street Dance Theatre - Rong

As the descendant of Peking Opera family, QIO shoulders the inborn great trust of inheriting the quintessence of China. Faced with the ever changing world, what feelings does he have and how does he respond to it? Rong is trying to find the expression of time spirit and the consistent lineage of opera charm in the symbolic life. This work develops from the exquisite and vivid facial painting of Peking Opera and follows the painting brush to reflect the rise and fall of the inner emotion. It infuses the Chinese traditional opera (Peking Opera) culture, kung fu (Chen-style Taijiquan) culture, Dunhuang culture as well as "Egyptian Hand" hand culture inspired by the ancient Egyptian hieroglyphs, and thus contributes to the "integration" of cultural and spiritual heritage in the new time and space. QIOAn actor of comic role of Peking Opera and a practitioner of crossover art. He graduated from Academy of Traditional Chinese Opera with a bachelors degree. He is now working at Beijing Peking Opera Theatre. As the 4th generation official heir of Qiu-style Peking Opera, he developed the Qiu-style and integrated Chinese and western music theory, dance elements and martial arts and Tai Chi in to Peking opera, and is committed to the exploration of the new expression of the integration of modern art state and traditional classics. Born and raised in the operatic circle, he inherited the good voice of his grandfather Mr. Qiu Shengrong, master of Peking Opera and the founder "Qiu-style" and his father, Qiu Mr. Qiu Shaorong, a famous artist of Peking Opera from childhood. He is very talented and cut a figure as a teenager and won gold medal for Plum Blossom Prize for the Young". Under the guidance of many famous masters and his own diligence along his art journey, he not only carried forward the "Qiu family" performing and artistic style but also won him many awards. He is the silver medal winner of the 2008 National Youth Peking Opera TV Competition and gold medal of the 2012 National Youth Peking Opera TV Competition. PAN QINPAN QIN, the founder of Kung Fu Street brand, a senior tutor of artists and singers, choreographer, the in house disciple of the 19th generation successor of Chen-style Taijiquan, vice president of World Nunchaku Association. He has been practicing Shaolin, nunchakus, long sticks since childhood and later went to South Korea to learn street dance culture. After his return to China, he engaged in stage directing, choreography and teaching work and has 12 years of back stage experience to date. By virtue of his unique experience and international vision, Pan Qin integrated Chinese martial arts, Tai Chi, folk dances and other traditional culture and modern dance elements in his works in a creative way. He focused on Chinese classical music and modern pop beats, and thus established Kung Fu Street with the pursuit of the unmatched new school art-dance color in the philosophy.

Dance 2013

Theatre and Shadow Animation - Wowo

In the play, Wowo and Wowow woke up on the first day and found themselves in a very high place. Not only did them confused that why they were on the despair high attitude, but also found themselves unable to speak. The only yelling they could make and connect themselves was the sound Wo~Wo~ from far away. Wowo only had a rope and tied a knot every day, while Wowow only had a cage that could grow a paper plane every day and he threw the plane out of the platform again and again. After 651 days, would they get out of the despair? The platform on the despair high attitude remains people of the skyscrapers in the city or cliffs in the nature, and symbolizes the unconquerable despair in humans subconscious, which means that even though it is not as difficult as in imagination, the majority choose to escape it. The play explores the connections among people in modern society through urban allegorical grotesque forms of expression and contradictory stage space. In the play, Shadow Puppet, the traditional element, is presented by high technology and fully engages in the play, which has added the grotesque and fairy tale feeling to the performance. The real-time interaction between the theater actors and Shadow Puppet operators results in many effects including environment romance, the reflection of inner heart of characters as well as the dialogue of virtual characters. It even makes breakthrough in presenting the exquisite beauty of simplicity and stunning visual effects. Dai WeiDai Wei, graduated from Shanghai Theatre Academy, was CG designer of Visual Effects Arts Studio of 2008 BEIJING Olympic Games and BEIJING Paralympic Games, directly involved in fireworks and visual effects design for four opening and closing ceremonies. From 2009 to 2011, he participated in CG works for fireworks and visual effects in lots of major events including the Ceremony of the National Day in BEIJING and the Opening Ceremony of Taipei Intl Flora Expo. After that, he engaged in theatre, visual communication and cross-boundaries design. He has been a creative designer in Virtual Simulation Laboratory for Multimedia Performance since July 2010, involving in stage and visual art design in lots of theaters and performances, at the same time, he conducts disciplinary research related to new media and visual art design. In 2012, due to the achievements and cross-boundaries art exploration in new media, he was the only one who awarded Cai Guo-qiang Fellowship by Asian Cultural Council in this field and went to New York for investigation in contemporary crossover arts and new media theatre from October 2010 to April 2013.

Drama 2013

Kunqu Opera and Physical Theatre - Spinning Top

The work starts with short plays, Nv Diao and Nan Diao, presenting that in the opening of a social drama, people express thanks to the god and expel evil spirit; and takes the performance of social drama depicted in Lu Xuns essay Wuchang Nvdiao as a cut-in point. The work combines opera, acrobat, modern dance and percussion together as the basic performance means, expresses the feeling of helpless, confusion of identity, depression of trapping in and psychological confrontation in allegorical way. Audience will expose to the dream of author directly and experience a grotesque story that sometimes seems true and sometimes illusion. Ding YiDing Yi, graduated from Shanghai Traditional Opera School, studied Chinese traditional Performing arts - Beijing Opera, Kunqu Opera at young age (almost 20 years now), including Sheng( main male role), Dan(young and beautiful female role). She obtained Master Degree of Arts from Shanghai Theatre Academy in 2010. She was invited to compose theater new opera and perform modern dance: in 2009, she was the director of Du Liliang in The Pavilion Of Peony performed in the ancient stage of Three Mountains Assembly Hall; in 2010, she was invited to be technical director of new historical play, The Purple Hairpin, of Guangdong Foshan Cantanese Opera Theatre; in 2011, she was invited to be the movement coach of Landscape Huang Gongwang, the Shaoxing Opera play. In 2012, She was invited by Shanghai Jinxing Dance Theatre to perform modern dance Shanghai Tango in America and signed with the Dance Theatre to become a modern dancer at the same year. Her modern dance works are Mystery and Charming Shanghai, China Project, Sudoku and etc. Lu Ge Lu Ge studied gymnastics in his 5 years old, and turn to study acrobatics in 11 years old, when he was 17, he doubted the changeless drills and performance. At the same time, he was inspired by a modern dance teacher, completely changed the view of actor as a profession, and became an actor and artist in real sense. He believed that comparing with skills that could use body freely, more important is ones own ideas and creation. Half year later, he wrapped up in acrobatic troupe and went to Shanghai Jinxing Dance Theatre to learn modern dance. During the 9 years of modern dance training and international tour, he was exposed to and learned different kinds of art expressions. He furthered his study of theatre performance in Shanghai Theatre Academy and learned new circus in Royal Academy of Dance in Stockholm early or later. Currently, he works with others to open a physical theatre studio, focusing on new theatre combining acrobat, opera, dance and theatre.

Drama 2013
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